Fever Placeholder (Week One)

 I've had a horrible brain-melting fever, losing four kilos in four days, over the last week, and recovery is slow. I'll be catching up.

London Bridge Concourse

So this week's sunny day was Monday, and on my way to lunch, I went to London Bridge and then down and across Tower Bridge. Nice walk, even if the wind was chilly halfway across Tower Bridge. Anyway... London Bridge has a new clock for people to meet under, there's an obligatory Passenger Asleep On A Bench, and the People On The Escalator shot may be one of my favourites from this year already. The last two are the kind of architectural angle-y shots I like. Despite its heavy use over quite a few years, the concourse is still clean and shiny. Somebody cares, or maybe somebody else wrote it into the contract.

Autumn

 

Fujinon XF 18-135 - If I Get A Zoom

So I went back over what I had taken in Photos. Because Photos has the Get Info panel, and that tells you the lens details - at least if the data was available.

Sometime in 2009 I started using the Canon Powershot A590 IS. The lens is said to be 5.8 - 23.2mm, and the Canon specs say that the 35mm equivalent is 35-140mm. I seemed to have stopped using it towards the end of 2011, which is when I stopped going on holidays, and switched to using a C510 phone camera and then the iPhone 4S, sometime in 2012.

In 2013 I started using a Canon EOS1100D, which was an APS-C camera with a 35mm equivalent of 24-80mm. It's a chunky bit of kit.

Sometime in 2014 until sometime in 2018 I started using a Panasonic DMS TZ-40, with a 35mm equivalent of 24-480mm, some of which may be digital zoom. I used the iPhone SE camera for a while between 2019 and 2021.

At the end of 2021 started using the Fujifilm X-E4, with the 50mm-equivalent lens, which I swapped in late 2024 for the 40mm-equivalent pancake lens. Because it's easier to carry and made a change.

None of those cameras were expensive by the standards of the time. The EOS110D was about half the price of the X-E4, which shows in the quality of the Fuji kit. I still have the EOS1100D and the DMS TZ-40.

That Get Info panel also tells you the focal length of the zoom lens. Which is super-useful.

(All sizes are now 35mm-equivalent unless otherwise mentioned.)

The majority of the shots I have kept are taken at one end of the range or the other of the lens. The more zoom it offered, the more I seemed to look for shots that would use that much zoom. A lot of the landscape / cityscape shots I liked enough to keep were either around 35mm or 120mm. Some went the full 480mm the TZ-40 would allow. I feel that 82mm is really just cropping the picture in camera, whereas 100-120mm is a different picture. The silly focal lengths of the TZ-40 were a bit of a spoiler. The shots that have intermediate focal lengths are really me cropping in camera. (Cropping in camera is not a Bad Thing: the picture quality is higher than a cropped picture would be.) All the people shots I like were 120mm or more. Do that with a small camera and no-one will notice. Try to get a 120mm zoom shot of someone sitting a few feet away with an APS-C lens and they will notice. That takes a certain amount of social skills I might not have.

The Fujinon zooms that are not too large, too heavy or too silly, are the XF 16-80, the XF 18-135, the XF 18-120, the XF 16-55, and the XF 18-55. The 18-120 has internal zoom (which is cool), but Fuji says that it is really for videographers. Shame. The x-55's are not zoomy enough: 55mm feels like cutting-out-clutter-around-the-subject. I can see why portrait snappers use it. That leaves the 16-80 and the 18-135. Both are about the same (second-hand) price, size and weight. Both lenses extend during zoom, which is a little... naff, but unavoidable.

Looking at my pictures, the more zoom I have, the more zoomy pictures I can see and will take. On that basis, the answer is the 16-135.

So why am I not rushing onto the Interwebz to buy one?

Zooming is a little like photography candy: it's sweet and addictive. It's one reason I deliberately bought a prime when I got the X-E4. Taking shots with a prime between 35mm and 50mm is a discipline. Anyone can zoom in on a neat detail, and I have enough shots to prove I can do it well, but composing a whole shot is much more of a challenge. So there's that. You know, suffering for my art. And this whole exercise is assuming I am buying second-hand. New prices for these lenses are... I mean, you can a Player Series Strat for that kind of money. It's outside my costs-as-much-as-a-256GB-iPad (£429) rule.