Movies For The Naive: Outing "Brief Encounter"

For years I heard people talking about Brief Encounter. It was a deeply moving study of unrequited love, middle-class self-control, a Noel Coward script, excellent acting and some wonderful black-and-white photography.

Finally, I was in the room when it was on television. I settled down to watch it, and no more than twenty minutes in turned to the others in the room and said "you know this is about a gay relationship, right?"

You need some context. It was 1947. Britain had been at war for six years until 1945 and the soldiers were still returning in 1947. For those years, the British did not give up sex. Indeed, they committed adultery, casual affairs, knee-tremblers, and the men shagged foreign women while their girlfriends wrote them Dear John letters. All of which was just fine while the Germans were throwing bombs and bullets around, but not so good when they weren't. And so began one of the larger exercises in society-wide denial. The English were not, in 1947, clueless about sex, illicit affairs and one-night-stands. If today a man as good-looking as Trevor Howard met a woman as handsome as Celia Johnson, he would entertain the thought that they might fool around a little. And so would she. Newsflash: people are much the same now as they ever were.

The giveaway scene is in Stephen's flat, which Alec and Laura have borrowed for an evening alone. Stephen returns unexpectedly and Laura leaves quickly, leaving her scarf behind. Stephen sees the scarf and holds it up accusingly saying to Alec "I'm disappointed in you. I thought you'd stopped this sort of thing."

A remark that makes no sense made between two single professional men in their thirties in 1947. But which makes complete sense if it's a man's scarf. This is Noel Coward, not some hack who might very well have written the line by accident. The Master knew exactly what he was writing and what it might mean. It was his one explicit clue.

My English Literature studying companions would have nothing of it. I didn't understand that the story was about "Laura's...horror at the thought of betraying her husband and her settled moral values, tempted though she is by the force of a love affair. Indeed, it is this very tension which has made the film such an enduring favourite. The values which Laura precariously, but ultimately successfully, clings to were widely shared and respected (if not always observed) at the time of the film's original setting..." (Wikipedia).

Yes. Right. You go on believing Celia Johnson wasn't playing a man in disguise. The movie was a huge hit because it showed told an Official Truth its audience wanted spreading: "There dear, that's how it was for me when you were in Africa / Sicily / Normandy."

As if.