Monday, 13 October 2014

Managing Photographs: Making Choices

There are three decisions to make in this process: culling the boring and just plain bad shots; doing stuff to turn the maybes into definites; and then displaying the stuff I keep.

Some photographs - like this one - are just great on their own. Others need a little context: this one


works better if you know it was taken from St Pauls, and that the Shard is about a mile away. Then there's the photo-essay, which has more or less disappeared from print, but still exists on the internet, and back when Colin Sokol was her photographer, Rumi Neely used to do things like this. The point of an essay is that the overall effect is greater than the sum of the parts: the parts are good-but-not-striking-or-memorable images, and together they make up something memorable. A photo-essay has a narrative structure - even if it is borrowed from a Georges Perec novel. Each image should follow from or contrast with the ones before. The worst kind of photo-essay, or photographer's book, is one that has a series of similar shots. You know: face, face, face; wasteland, wasteland, wasteland; bridge, bridge, bridge; crowd, crowd, crowd. Repetition only works where there's a certain amont of fetishism involved, as in: Ferrari, Ferrari, Ferrari; Mica Arganaraz, Mica Arganaraz, Mica Arganaraz; sunset, sunset, sunset.

(Not a Ferrari or a sunset)

When we are taking snaps for ourselves, rather than for clients or projects for publication, it's of an event, or place, or journey. There's a built-in narrative, even if it’s a walk round a part of a city. So one thing that guides the final selection process is the narrative that we make from the photographs. Another is keeping images that fit into a longer-term project (I'm doing signs on buildings at the moment).


So I am going to keep everything but the clunkers in an archive is that I might devise new projects or themes, and can start by raiding the past. This helps me understand how to organise my photographs. I photograph places and so that will do for a directory structure. Themes can be handled with tags.

Finally, there’s the presentation issue. I’m not a pro, I’m not going to find a publisher for a book, and any thoughts of gallery or exhibition are out of the question. I don’t do the kind of photographs that photography club types do, and anyway I’m not a joiner. So it’s going to be the blog. And the Picasa album that Blogger uses to store pictures in my blogs.

Thursday, 9 October 2014

Chasing the Blahs Away

Recently when I wake up, at 05:30 each weekday morning, I murmer to myself: can I stop now? Do I have to carry on slogging through each morning prep, commute, day at the job, commute and/or gym? Can I retire and do whatever it is I think I'm going to do when I retire - learn K-theory and the Bach Cello Suites on plectrum guitar.

At least, that's what I think I mean. And if I had a thumping final-salary pension from years of service with the company and could afford to live on it, then I might well chuck in the day-job and find something else to do. But I don't, so I can't, so waking up at 05:30 it is.

The last week off work let me realise that it takes my body three full days to recover from the kind of workout I gave it on the Tuesday afternoon, the highlights of which were 2x6x70kgs on the bench press, 3x10x24kgs on the dumbell chest press and 3x8x60 on the deadlift. (I know, you can do that standing on your head. Call me when you're 60 and doing better.) A huge part of the "Can I Stop Now" comes from that physical reaction.

Then waking up at 05:30. My natural times are bed between 23:00 and 24:00, wake up some time after 07:00 and lie in bed for 20 minutes or so before getting started on breakfast. 05:30 is un-natural and it's followed by a commute by public transport. I know everyone else does that, and guess what? Everyone else wants to stop as well.

The drab office with its half-assed aircon, meeting rooms in which I and many others struggle to stay awake, furniture that was tired when it was bought no doubt second-hand, don't mention the toilets, and the truly awful computers and internet access does not help either.

Then there's my superior moral fortitude, so I can't do what old men my age do, which is let themselves go to the point where they think that three brisk 30-minute walks a week counts as exercise, and watching some vapid documentary on BBC 3 counts as intellectual challenge. When I ask if I can stop now, I'm asking as well if I can just let myself go now please?

Of course I can't. I know what happens if I stop exercising: I put on weight, my blood sugar goes up as a consequence, my legs break out into blotches and I lose the fine edge of thinking ability that makes me a demon at my job. I get tired, irritable and lose my charm and confidence. Seriously.

I could no more start watching mainstream TV than I could pull my hair out. I'm fed up with the movie scene in London because I want it to be something more than the same five films in the Curzons, Everymans and even at the ICA. Could I really stop reading philosophy and mathematics? I did stop with the philosophy, and I'm happier now I read it again, even if it's sometimes so waffle-y it hurts (I'm looking at you, Isabelle Stengers). As for reading and understanding mathematics (or physics), it's how you know you haven't woken up brain-dead from one too many meetings where people talk non-stop management babble as if it makes sense to them.

As for dressing well and eating at the bar (at Moro, Exmouth Market as I type), that's only going to stop when I can't afford it. And it isn't that expensive to dress with anonymous style, thanks to the fact that all clothes are now made by child labour in Chinese factories that spew the pollution from the carcinogenic dyes into the water.

I'm doing all this sober - something you have no idea about - and drug-free and with practically zero chance of getting off with any kind of female - which some of you may have an idea about - and while it's all terribly virtuous and vastly preferable, for me, to being drunk, high or involved with some needy screw-up, it lacks edge and part of me would like to stop doing it, and let go, stay home and watch crap TV, eat high-calorie food junk food and turn into a self-pitying mess who gets asked to retire in six months. That's the self-pitying part of me talking. I don't want to do any of those things. Especially the part where I stop being good-looking.

What I want is to live the way I do but without the sense of effort, effort, effort. You know why so few people are real menschen? Because it's hard work, and it never gets to be a habit, and it never gets easy, and very few people support you in your endeavour to be so.

What’s left is a case of the blahs, that boredom and dissatisfaction that can make me retreat to the house instead of going to do something, because doing whatever it is isn’t going to make me feel better so why should I spend the money? A quick look round the web finds people treating the blahs like a cloudy day, and as having no ontological significance, but that’s a tad lazy. If I’m bored and dissatisfied it’s because there’s something missing from my life. Maybe I need to find an interesting book to read, or please god a decent movie to watch, or do some housework (alcoholics will remember that one: cleaning is very distracting, therapeutic and rewarding. Many alcoholics in early days have spotless quarters). The blahs can mean I’ve read some tedious books, or been tired, or done something to run myself down. There’s nothing that says the blahs are more common amongst the older folk, although we do have more cause to say things like “I saw the original” or “I read Proust already”. However, I haven’t read lots of John D McDonald or any of Hopscotch. It’s up to me to find something new and interesting, and there’s always something out there.

So I am going to tell my waking, aching body to shut the frack up, and take it to the brisk morning exercises involving light barbells with Fatgripz on the handles. I am going to do my best to be in bed by 21:30 five days a week and get seven hour's sleep. I am going to keep dragging my sorry ass to work, to the gym, to restaurants, movies and wherever else I think I should show up.

Monday, 6 October 2014

This Post Intentionally Left Blank

Because I was on holiday last week and have too many threads dangling.

Thursday, 2 October 2014

Managing Photographs: Software

So we were at the point where the trusty MacBook Pro was no longer trusty. And I had my iPhoto library on its hard drive. I managed to export all the files to a network drive - I think that's easier on the early version of iPhoto I had - and that took the time it took. Suddenly I had around 10,000 files to sort out. I know that this is almost how many a rookie professional wedding photographer takes on their first assignment, but I’m not a pro, so for me, 10,000 is a lot.

I experimented with using iPhoto on a new Mac Air with the iPhoto library on the network drive via wifi. Because, you know, I didn’t know any better.

Just.

Don't.

Or you will tear your hair out waiting for iPhoto to fetch the files over your wi-fi network and make copies and do whatever else it does. Macs just don't do well over networks, especially with a Windows drives on the other end.

This is a shame, because for a simple person like me, whose idea of editing a photo is straightening out the unaccountable but consistent 0.5-2.0 degrees rightwards tilt in every photograph I have ever taken with a digital camera, iPhoto does a nice job with a minimum of fuss. Imports, creates events, lets me edit, and exports. All in a pretty interface. But it really wants its Library on the hard drive or maybe an external drive connected by Thunderbolt for preference (I haven't tried). Not on a network drive. What to do?

I was also reading pro photographers' blogs at the time, and one of them mentioned Irfan View.

Heck, yeah, Irfan View. Irfan View laughs at displaying 2,000 image directories it’s never seen before, creating thumbnails from any image format file faster in a blink, and then giving you all the bulk handling facilities you want and some you didn't know you couldn't live without. You have to see it in action to believe it. It's ridiculously robust and stable, and it's developed, seemingly, by a single man called Irfan Skiljan. It's free, though after a while, you really will want to donate. Along with Evernote and Dropbox, it's on all my (Windows) computers. So on a Mac that means WINE. Tried it. With Winebottler. That worked fine though I had to hack round the fact that Wine bottler wants the 433 version of the install exe, and the current download is 438. And suddenly I had Irfan View up, except... wait... I had more images than that in that folder. And that one. For some reason it will only show me 45 random images from a directory. Nothing on Google about this, which makes me think no-one else has used this on larger directories. So that's that option.

So Picasa. I know. Google. The Evil Empire. How can anything written - actually, acquired - by Google be good enough? By now I had learned not to do images over wifi, so I downloaded it and started slowly. And actually, it’s not bad. It’s better than that. It’s good enough for the job.

And that’s the point: for the job. moving away from iPhoto means I had to think about my “workflow”. "Workflow" is what replaced "developing and printing" when everyone went digital. In the Days of Film, photographers developed the negatives, made up contact sheets (analogue thumbnails), and then looked at each one through a loupe, and indicated the keepers with a flamboyant - and presumably removable - pencilled circle. These they printed full size - being professionals they wanted to keep the costs down. They kept the contact sheets and the negatives. All of them. Forever. Often un-marked in boxes, draws and faded brown envelopes that filled every inch of their tiny Manhatten apartments - the latter years of many famous photographers’ lives are a study in obsessive picture taking.

That’s kinda what happens now, but digitally. I return with a camera full of images that...

1. have to be copied onto my computer, which gives me a directory full of images most of which won't be worth keeping, so I have to...
2. delete the ones that make you say “Meh”...
3. and archive the rest after putting some rudimentary tagging on them. From those I choose the obvious goodies plus those that might work if cropped, processed and re-worked in whatever image editor I have...
4.work on those ones that could be tweaked...
5. add in tags and ownership details data to the image files for the spiders to crawl...
6. because in the end I’m going to publish them even if it’s only on this blog.

A real pro follows the same system, but better. And for money. To do all this, I need software to import the files from the camera and a library manager, which iPhoto and Picasa do, and an image editor. Lightroom is for advanced image processing, not library management, cropping, rotating and applying a few neat tricks. That’s what iPhoto and Picasa do.

Plus I’m cheap, and Picasa is free. Except for it’s Google’s way of paying for all that valuable information in my searches and e-mails and calendar. Because I’m the kinda person you really want to sell things to. Or I’m not, so the advertisers don’t waste their money advertising to me.

So that brings us to the culling and filtering process. The artistic vision thing. I’m not a pro, so the only client I have to keep happy is me. And this is another subject again.

Monday, 29 September 2014

Changing the Computer Stock

My trusty six-year old 15" MacBook Pro developed Flickering Graphic Card Syndrome in September. The guys down in the basement at Mac1 Spitalfields gave me a quote of around £350 + VAT to fix it. Then you're left wondering how long it will be before the next thing fails. My first thought was, of course, "need new MacBook Pro". Yeah. At £1,300+ for a 15" screen. Retina only. The 13" non-Retina is still £899 for the base model. Faced with decisions like this, the best thing I can do is keep looking until the right answer appears from all the obvious ones.

My current stock is:

Asus EE PC 1000P netbook (about five years old) Win 7
11" Mac Air with 128GB SDD (nearly two years old) OS X Mavericks
17" Samsung desktop replacement (about five years old) Win 7
15" MacBook Pro (see above) OS X Mavericks

I've been using the Air as my walk-around computer, and the Asus as a cheap internet media centre. The real issue is that the Samsung will be next to go, and I'll need a replacement Windows workhorse. These get cheaper and better all the time, but right now...

Windows 8

Wow. Just. Wow.

Windows 8, like Vista, is proof that a building full of geniuses can still produce a camel in response to the spec for a horse. So the whole buy-a-15.6"-Wintel-machine-for-next-to-nothing option is on hold.

After a great deal of gazing at Mac Pros and other kit, I thought "Let's look at Chromebooks". Because I never have and of course you'd replace a MacBook Pro with a Chromebook. Right?

Except that most of my computing now is browsing and Evernote. Evernote runs in Chrome. If I need to use a Latex editor / compiler or maybe use Lightroom to edit stuff (this is another post) I can use the Mac Air or the Samsung. The blogs of a number of pro photographers sing the praises of recent Mac Airs using Lightroom. What I need is a computer with a decent size screen to browse, play media, and use Evernote. That's a Chromebook.

See what I mean about waiting until the right decision appears from all the obvious ones?

So the new stock looks like:

Portable: Asus C P1000P netbook (about four years old) Win 7
Serious Computing: 11" Mac Air with 128GB SDD (nearly two years old) OS X Mavericks Windows Workhorse: 17" Samsung desktop replacement (about five years old) Win 7
Normal Stuff at Home: 14" HP Chromebook

When the Air packs up, I will get whatever the entry-level MacBook Pro is: by then it will weigh nothing and have the computing power of a Cray mainframe from the early 2000's. When the Win 7 machines pack up, with luck Win 9 will be out and be something people would actually want to use.

Done.

Thursday, 25 September 2014

Why You Should Get A Santander 1-2-3 Account

(Disclosure: I work in retail banking. I do not now nor ever have worked for Santander or the companies it bought. This is a public service announcement.)

Savings rates are a joke right now. The banks and wholesale markets can get cheap money from the Government and Bank of England: they don’t need to pay us a decent rate of interest to attract our funds. The Government is schizoid: it wants us to save for our pensions, but it wants us to spend, spend, spend so that the economy will recover, and preferably on VAT-able items so its tax take will go up. Good luck squaring that circle.

Very few people have large amounts (more than £50,000) of cash-based savings. I have nothing like that and still shuffle my money around once a year, with the main aim of trying to get as much as possible into an ISA so I avoid tax. 1.5% tax-free equates to 2.5% gross. Go find 2.5% anywhere.

Well, first there's 4% on up-to £5,000 from the Club Lloyds current account. You need to pay in at least £1,500 every month (which puts it past about half the population), but you don’t have to leave it there, so you could transfer it from your present current account and then spend it. Push £5,000 in, set up a standing order and you’re done. You may think it a bit too much fuss for £5,000.

So then there’s Santander’s 123 account, which gives 3% up-to £20,000, and cashback on Council Tax, Telecoms, Water, Gas, Electricity and other bills. If like me you’re living in a former People’s Republic of London, getting cashback on Council Tax alone feels like some kind of symbolic revenge. Santander’s web site has a calculator which you should look at as soon as you’ve finished reading this.

You need to transfer in at least £500 a month, set up five direct debits and have at least £1,000 on deposit before the benefits kick in. My guess is that those five DD’s are a carefully-chosen obstacle - it feels like a number someone researched. Santander offer a current account transfer service, and my guess is that many people will prefer to do a full transfer than go through what they think is the trouble of changing the details on five DD’s.

Changing the bank details on your DD’s is as simple as calling the council / water company / electricity company / telco etc and telling them you want to change account that pays the DD. They will ask for identification – I didn’t have my account numbers with me and it still all worked - and the 123 account sort code and account number. Done in a couple of minutes, though you may need a headset to make it easier to wait until an operator becomes available. My telcos even let me change the DD account details online.

You need to delete the DDs in your original current account once they have been paid for the current month. That doesn’t take long to do online. If you are the last person left in the UK who doesn’t do online banking, now is a good time to start.

Applying for a 123 account online takes about 10 minutes and Santander do an electronic credit check. I got an e-mail confirming my application about ten seconds after I clicked Submit and a confirmation of getting the account about a minute later. As part of a security process they send the account details and multiple-part security letters over a period of about two weeks.

It sounds like a lot of fuss, but it’s a couple of hours at most and will gain you about £200 or so (depending on how much money you have and the size of your bills) over letting your money rot at 0.5% somewhere. When was the last time you were paid £100 an hour?

It’s incumbent on as many of us as possible to remove money from savings accounts and toss it into a high-interest current account. Until lots of us do, banks won’t raise their savings rates.

Monday, 22 September 2014

The Best Things In Life Are Free - Janet and Luther

Every time, and mean every time I hear this, I’m smiling and singing along. So play it and do the same.



Happy Days....