Just what is it about Breakfast at Tiffany's and Holly Golightly? There's La Hepburn's look and performance, of course. There's a nicely-judged masala of silly comedy (Micky Rooney), adult stuff (George Peppard and Patricia Neal), romance, heartbreak (Holly's previous husband) and some neat legerdemain with Holly's weekly visits to the crime boss. There's the bits where Holly makes fools of the men she suckers in nightclubs and her ease with cafe society - very appealing to teenage girls of all ages - and the collapse of her dreams of marrying into wealth, which is also very reassuring to suburban teenage girls everywhere, as it confirms that they aren't missing a trick because there are no tricks to miss. Most of all there is the portrayal of life as dizzy and basically innocent fun. With handsome men. Which, oddly, is very appealing to teenage girls everywhere. It's so easy to get a bit of Holly for yourself. Say "Darling" and change your mind a lot, and avoid anything that feels remotely serious.
Holly Golightly was a role model for many thousands of women of my generation. It was a long time before I saw Breakfast at Tiffany's. When I did, I saw fifteen minutes of Holly Golightly and said "Margie". Margie behaved as if she was going to marry up to some Kensington Male, and for a long time we thought that was a real ambition. So did she, which might explain her breakdown in early middle age when it had clearly reached a point where it wasn't going to happen. First, she didn't quite have the looks to compete with the Guildford Girls; second, I'm not sure she had the tolerance for functional sex needed for the task; third, no-one raised in that household with those parents in that marriage could possibly get the idea that marriage was desirable. She thought of men as something to be manipulated and tolerated, and that's not how men think of themselves. I suspect she understood somewhere in her psyche where secrets are recognised but never spoken that her life was not going anywhere special and being Holly throughout her twenties gave her a way to pretend it was. After all, Holly herself falls romantically for a writer who has so far been supported by a wealthy sponsor. (A relationship as far as I know used twice in mainstream movies: the other one is in An American In Paris.) But whereas Holly had actually left a perfectly fine - if backwoods - marriage, Margie had never seen one. Holly had a role model for the future of her relationship with George Peppard: Margie didn't.
That generation of women could use Holly as a role-model because they didn't understand the details. Today's girls do understand the details: for one thing, there is no way they can get a flat anywhere in Manhattan (no-one can). For another, they know that her early mornings and general breeziness are sustained by taking drugs - maybe the amphetamines were better back then, but I'm betting the real Hollies all blew a little pot to come down after a night running the suckers round the nightclubs. Above all, today's girls have jobs and have had since they left education. The job might be as a Good Mother or it might be as an HR Drone, but it's a job, and likely more secure than any partner's. I'm guessing the suburban girl looks at Breakfast at Tiffany's and sees it as an historical curio: Audrey's glamour is still there, but it's the glamour of a museum piece, like a Fortuny dress in the V&A. Your contemporary suburban girl knows that modern glamour takes luck, hard work and a single-minded ambition: Victoria Beckham taught her that.
None of which stops the opening of Breakfast at Tiffany's being one of the Top Five Movie Openings Of All Time. Or one of the best constructed stories in the movies. It may be time to retire it from "iconic" to "historical curio" though.
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