Friday, 1 May 2026

How To Overthink A New Guitar

The Les Paul and Flying V are religious icons. If you want to drop a Flying V at my place, I will not turn it away. The SG looks like Batman's ears. The 3XX-series look like workmanlike hollow-bodies for session players. The Jazzmaster, Jaguar, Mustang, Explorer, and others, look quirky and interesting. We will pass over those Ibanez with long curly horns, Strandbergs, Mayones, headless guitars, and other weird modern stuff. Also 7-strings. Gretsch's and the like are too big and hefty for my old shoulders. Anything with a Bigsby is just... why?

There are two basic electric guitar sounds: humbuckers (Gibson) and single-coils (Fender). There are variations of single-coils - Strat, Tele, Jazzmaster, P90 - and each has a slightly different clean tone, but sound very similar when going into distortion, as this shows...



Humbuckers are the same: a common characteristic sound with differences around the edges which fade when going into distortion. Watch this...



Can split humbuckers can get close enough to a single-coil sound? Well, watch this...



Three things from this. The Strat was always identifiable, but only just; in the final section, all of them could have been Les Pauls, because that's what distortion does; otherwise split-coil is more or less the same as single-coil (because that's what coil splits do, only take output from one of the humbucker coils).

Turns out the PRS McCarty's have coil taps, not splits. Here's the difference...



My PRS McCarty 594 SE ticks the double-humbucker and coil tap boxes. The Paranormal Tele kinda ticks the offset look and Tele / Jazzmaster pickups. In theory that leaves P90's, about which someone said...

When compared to Fender-style single-coils, P90s are noticeably fatter and warmer. They don't have quite the same sparkling top end or quack, but they compensate with a more substantial midrange and beefier low end


Okay, so given the range of tones I have recently understood I can get by making the 594 and Princeton do tone acrobatics, I'm not sure this is going to fill any gaps. P90 guitars are expensive unless it's a Yamaha Revstar, weighing around 9lb, or a Sire L7V New Gen which is a Les Paul shape and maybe heavy as well.

I would like a Jaguar or a Mustang (who wouldn't)? But. The affordable ones do not have the original toggle switches and circuitry. Guitars with the original circuitry cost over £2,000 even in the second-hand market. Without the extra switching, it is not quite the real deal. I'm not a collector.

So to fill what I'm missing in the sounds I have, I need a Strat. So, now, uh, this is where it gets awkward.

The Fender Stratocaster is the most played electric guitar in music history. Yet 1) the whammy bar is in the wrong place; 2) the tremolo goes out of tune too easily; and 3) the controls are in the wrong place; 4) Fender's quality control is erratic, on a wall of the same model Strat, no two will sound the same; 5) it does not look cool. Yes, you read that right. It's too long in the waist. Those horns are disconcertingly thick close up. Some of the headstocks can be over-large. It’s a bloke’s guitar, and I’m not a bloke.

By contrast the Telecaster is discreetly, unutterably, cool. Zippo lighter cool. Ray-Ban cool. Lou Reed played one for years. The Boss plays one. Julian Lage plays one. The Tele came in a vision from God to Leo Fender. It is the guitar that shows up and plays. Hell, Mike Bloomfield played one at that notorious Dylan Newport gig. Ralph Macchio uses one in the duel with Steve Vai in Crossroads. What more do you want?

Well, those position 2 and 4 Strat tones for one thing.

The Player II series offers chambered Strats and Teles, putting them within my weight requirement, so a visit to Epsom or Guildford is in the offing.

There's birthdays, and un-birthdays, and Christmas and un-Christmas. Plenty of occasions.

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